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Ramaeu and "Castor et Pollux"

Jean Philippe Ramaeu, only a few known, played there in our little houses, even in France was only discovered by Debussy again. For a long time he was regarded as a composer of the Ancien Régime, which would not appreciate the revolutionary France. The entirely wrong. His Music enchanted us today, and the wealth of his composition would have been enough for a second night at the opera. Ramaeu revised his first opera "Castor et Pollux" Years later, this release was taken to Vienna for the performance. Thanks to

As first-time performance at the Theater an der Wien, particularly the first-class musical performance of the orchestra "Les Talens lyriques" with Christophe Rousset. Rousset, who feels the old music and especially the composers of his country required, and can demonstrate first class. His orchestra is not to be compared with the symphonic power of later times, but which offers good performance and implementation of old compositions. The small, intimate part in the Theater an der Wien was the "Les Talens lyriques" very accommodating.
The second driving force in this production was the excellent vocal performance of Arnold Schoenberg Choir. Many pieces are composed for chorus and an important element of French Baroque opera. The choir sang and played with enthusiasm, and because there was not ballet, was the great performance of "Arnold Schoenberg Choir, the optical surface for this opera.
on ballet deposits were waived for "Castor et Pollux" in its entirety, the ballet music was as pantomime flashback presented purely in concert. This idea was timely and consistent. The ballet music to Castor et Pollux would alone can fill an evening.

on the production of Mariame Clement is absolutely nothing wrong and we can only hope soon to see a performance of it. The stage and equipment by Julia Hansen was a good feeling for the complex action of Greek tragedy, and Ms. Hansen showed their skills even at Ramaeu "Platée.
sang The four major roles, Christine Kark as Telaire, Anne Sophie von Otter as Phébé, Maxim Mironov as Castor, tenor, and Dietrich Henschel as Pollux, baritone. Furthermore
Nicolas tests than Jupiter, bass, Pavel Kudinov as Grand Pretre, Enea Scala as Mercure and Sophie Marilley as Cleon.
Some of the soloists were struggling with their performances and that was audible to the audience. The language was not always perceived as beautiful and powerful.
But I would not be too severe, that few of the soloists had to do with the French opera so far and would like to conclude called on the magnificent Pierre-Montan Berton "Le Breton" point.
-known and famous tenor of his time, and head of the Paris Opera in the 1770igern, directed 1780 "Castor et Pollux, and died in May 1780 a few days after the premiere of exhaustion, as some theatrical voices. If not true, but good for posterity told, and thought as a model for future generations to approach Ramaeu with more reverence.