've promised, I attended the premiere for you.
The first act was worth seeing and at the end of the dance and musical high point with a piece of Rameau's "Les Boréades.
fell in the second part of the piece slightly and the backdrop recalled the gloomy pre-Christmas street lights. The atmosphere was oppressive and the ghosts of Louis XVI., And Marie Theresa did this to her. Maria Theresa was a vision in the second Act to watch again. Her costume was the same and I hope not the same. Perhaps there is a second costume for the Empress of Austria.
The selection of tradional pieces and compositions by the Spaniard Luis Miguel Lobo were matched to the choreography which was unpleasant noticed the musical performance from a tape. On closer inspection, was the composition of Lobo with an orchestra that could play the historical pieces, and simultaneously to bring to the stage.
Positive jumped me in a double sense, the Russian Olga Esina in the eye, which had no big trouble to your dance partner on the wall. Roman Lazik as Louis XVI. held with brave, and was for his role less dominant as Olga Esina. His costume would have to present, from Louis XVI. The king of France, something long pants required Apart from this, the costumes, especially the dancers very well done. Kirill Kourlaev fate played powerfully and convincingly, and remained the most in my memory.
Despite my criticism is the native dance performance and the Opera Ballet trying the request of Patrick de Barna's needs. His protégé, the excellent dancer Olga Esina justified, if only, to your early visit to the People's Opera.
Credit: Courier Online: Marie Antoinette and Louis XVI, Marie Antoinette and Axel von Fersen
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